In 2011, to escape the violence in our homeland, Mexico, my husband and I packed up our dogs and our cat and moved to Massachusetts. Once here, our pets started living inside the apartment with us. It was then, when spending most of my time in their company, that I realized how similar we could be to animals. I started a series of staged photographs called Animal Nature, based on the disturbing relationship we have with animals, on the way we categorize them. Some are beloved companions while others do work for us, are our food or both. We create objects that represent them, we give them names and personalities, yet we eat them. Derrida explains how distinguishing them as animals allows us to justify the violence we inflict upon them. The goal of Animal Nature is to make people aware of how we use animals when we are also animals at the end. Like them, we also have basic needs, meeting those needs take us closer to our animal root, but we don’t usually think of ourselves as animals. How would it be like if we were farther down the food chain? It would be another animal eating our offspring for survival. Animal Nature talks about the animal-human interaction, mainly the one I have with my pets and with the animals that are part of my every day life, including those who become news because of the abuse they endure.
Family kitchen, 2013
When we moved to Massachusetts, I had no friends or family around, no places to go, no things to do. With my husband at work all day long, I started to spend a lot of time with my pets. It is because of Rocco, Lola and Nina that this project was born. Suddenly I realized that besides adapting to a new environment I was also adapting to my peculiar gang, and strangely enough, it wasn’t hard to do.
LE Cats and Le fish, 2014
The only camera I had at hand was a medium format Yashica D (film), which I had bought in an antique fair the year before. I had no light meter and the film was about to run out, but I managed to make some shots. As a photographer that usually stages her images, I have to admit that I also have learned to observe and to enjoy the gift of the "lucky moment".
animal dancing, 2012
There is animal in human, not only literally, but also in a frightening meaning. As children we get domesticated, and some better than others, learn to subjugate that wild nature in order to be socially accepted.
Window Shopping, 2012
One fine day I found Nina very attentive to the window. The only camera I had at hand was a medium format Yashica D (film), which I had bought in an antique fair the year before. I had no light meter and the film was about to run out, but I managed to make some shots. As a photographer that usually stages her images, I have to admit that I also have learned to observe and to enjoy the gift of the "lucky moment".
more works from animal nature
EDITION AND SIZES INFORMATION
All prints are made by Ileana or by a professional printing studio using fine art archival inkjet paper. Prints are shipped in a tube, or in a box if mounted or framed.
Each size has a Edition of 50 pieces
Square works 12"x12"
Rectangular works 12"x18"
Square works 16"x16"
Rectangular works 16"x24"
Square Works 20"x20"
Rectangular Works 20"x30"
For acquisitions, please email ile at ileanadobleh dot com, or use the Contact Form
These works are also available for licensing. Please contact Ileana with details about commercial use.